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Film NameBhool Bhulaiyaa 2
DirectorAnees Bazmee
ProducerBhushan Kumar
Murad Khetani
Krishan Kumar
LanguageHindi
Year2020
Categorycomedy horror

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Movie Review: Mimi

Based on Samriddhi Pore’s Marathi film, ‘Mala I Whychay’Writers: Rohan Shankar, Laxman Utekar
Cast: Kriti Sanon, Pankaj Tripathi, Sai Tamhankar, Manoj Pahwa, Supriya Pathak, Jaya Bhattacharya, Evelyn Edwards etc.
Director: Laxman Urtekar
OTT: Jio Cinema, Netflix
Rating: ****

Taapsee Pannu claims that Vidya Balan’s ‘Dirty Picture’ has given an opportunity to actresses to perform long innings in Hindi cinema. It is easy to understand that she is pointing towards films that have the potential to appeal to the audience. This is not possible without Roshan, Kumar, Khan or Khan. Vidya Balan’s film “Dirty Picture” was released in December 2011. It came just three days before Valentine’s Day, which was the Marathi film “Mala I Whychay”, in which Urmila Kanitkar, an actress, brought to life this story. This film, on whose side in India, attracted the attention of very few people around the globe. Despite ‘Mala I Whychay winning the National Film Award, the law on surrogacy in India is not clear. This film was made in Telugu two years later under the title ‘Welcome Obama.’ Now it’s the turn of “Mimi”. Laxman Utekar has modernized the role of the heroine in the film, not keeping her traditional rustic look, including her family, but ‘Mimi’ is the movie’s need. Kriti Sanon’s performance in ‘Panipat” has been a surprise once more. Deepika Padukone, Kangana Ranaut and Kangana Ranaut need to get well as Kriti Sanon will be a strong competitor. Alia Bhatt has already been eliminated from the top three races.

“Mimi” is the story about a young girl who dreams of becoming a heroine in Mumbai. A person who knows Bhushan (Kumar), wants to make him a music video. While he gives an estimate of the cost to build a portfolio in Mumbai, it is prohibitive for a girl hailing from Rajasthan. Mimi dreams of being a heroine thanks to Bhanu. Bhanu is a taxi driver. Bhanu meets Mimi after a Firangi couple searches for surrogacy. Acceptance of mm is also granted. With the lakhs of rupees that she will get, she believes her dream of being a heroine is possible. This story is inspired by an actual incident. A firangi couple left Mimi pregnant and went to their country. Mimi, hiding in a burqa in a Muslim neighborhood with her friend, ran in the entire area holding her stomach after receiving this information. He goes to the hotel. Her parents are shocked to find their daughter in such a state when she returns to her home. This is where the film really begins. Mimi disarms her dream of being a heroine, but she isn’t ready to kill the unborn child. Mimi is a tourist film because the film builds scene after scene.

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The movie “Mimi” has no hero. One is a heroine. One is his friend. One of them knows the other. The heroine also has parents. Kriti Sanon is clearly the best actress in this film. Deepika Padukone’s role in ‘Chhapaak: Mimi’ is exactly what Mimi was expected to be. Mimi is the exact role Alia Bhatt’s fans expected of her in the film “Kalank” and Mimi is the exact role her fans wanted from Kangana Ranaut’s film “Manikarnika”. Kriti Sanon’s performance in the film Mimi is better than any of these. This is Kriti Sanon’s best performance so far. Kriti Sanon, the actress who has displayed her cheap expressions in the song “Param Sundari”, screams when she becomes a mother. She pulls her entire jaw, and saliva fibers get stuck between her upper and lower teeth. The viewer is shaken. Kriti has performed twenty-one scenes. You can see the scenes with Pankaj Tripathi in a burqa, with Sai Tamhankar, or the procession of your broken dreams before your parents.

The strength of the film “Mimi” comes from its other actors. Pankaj Tripathi also has the longest commercial film role to date. He has not been the father of any female heroine nor the clown who lives with any hero. He plays the leading role in the film’s male cast. A married driver becomes embroiled in a human situation, where he must live as a homemaker for an unknown family. Pankaj Tripathi, which is Catalyst in the film, is the protagonist. Manoj Pahwa is also in the film. Supriya is a writer. Evelyn Edwards and Sai Tamhankar in the role as American woman. All of them have held onto their positions with great determination. Jaya Bhattacharya was even able to score the goal, even though she was not used to being in front of the camera for a while. Perfect casting is evident in the film “Mimi”. Pankaj Jha is also a successful actor.

Technically, the film is Laxman Utekar’s true hallmark. The matter was fresh last time, and Utekar’s confidence was a little shaken. Everything is perfect this time around in the film “Mimi”. Story, screenplay and acting are the three most important parts. The film is terrible with its music. AR Rahman made another mistake when he tried to understand the film’s soul. This film would be remembered for its music for many years if it was as alive as the music from such a great film. Rahman’s Haath Se Door skips the first song in the film, ‘Pawan Sundari. Rajasthan isn’t felt anywhere. Yes, Kailash Kher is engrossed with the final song, ‘Chhoti Si Chiraya. But by that time the audience has lost all expectations about the music.

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Technically, LaxmanUtekar’s team was ready for the film “Mimi”. Laxman Utekar is a well-known cinematographer so this department must be strong in his film. Akash Aggarwal has done a great job and captured Rajasthan beautifully in the camera. Manish Pradhan would have been able to survive if he had used drone shots for transitions. Sheetal Sharma designed the costumes to suit the film’s mood. Subrata Chakraborty’s production design and Amit Ray’s visual effects have greatly helped the film “Mimi”. Although the weekend is still far off, this film will be available for viewing. If you have the chance to, you should definitely see it. These films aren’t made every day in Hindi cinema.


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SynopsisDhoni (Shiva), falls in love Seetha (Dhanshika), but Sehwag (Santhanam), his friend, tries to end their relationship because he wants him to marry the Devadarshini, a buck-toothed and corrupt councilor, for personal gain.

ReviewDespite Tamil cinema’s recent trend towards comedy, this film feels more like a routine. This is despite Santhanam (and Shiva) being present, who had previously saved some of their films with their humor. Sehwag and Dhoni play two happy-go lucky guys who are unable to live without sarakku or ‘figures’.

Dhoni falls for Seetha (Dhanshika), but Sehwag attempts to end their relationship because he is purchased by Devadarshini (a buck-toothed politician) who has fallen in love with his friend. We are relieved when it is over. Sometimes we laugh because we know this is meant to be a comedy, and that we are expected to laugh.

We are shown why Sehwag is called Dhoni and Ramarajan in the opening scenes. Their original names were Rajkiran, Ramarajan and they don’t like being called that. This is not a subtle dig at the older actors who became parodies after their initial success. Perhaps, 20 years from now, the heroes of today, who are featured in middling comedies’ such as this one, might be a parody for the next generation.

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